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"Cama-i" (Aleut Greetings)
I have been playing Russ's flutes since I met him back in the early 90's
at one of our very first Northern California flute gatherings in Sacramento!!
He would eventually bring me flutes to try, and we'd play them at the
Native Gallery I use to work at in Old Sacramento. Folks would hear the
sound of flutes and wander in to an impromptu concert. The aroma of white
sage filled the air and it was always so amazing how the vibe would draw
them in.... I am proud and honored to call him my friend and brother!
A Russ Venable flute still possesses that magic, and then some! This flute
maker has not only improved his already incredible flute making skills
over the years, but his creative mind and adventurous curiosity has led
him down roads not yet taken!! I can't tell you how many "prototypes"
this Aleut woman has in her possession. You flute players would just drool-
if you haven't already seen them on the flute tree (Also a RV creation)
in my music room! This man is an ARTIST!
The two first things I look for in a flute are tonal quality, and volume-
pretty much in that order. If I'm in pitch and have a lot to work with,
within each note, it not only makes for an awesome sound, but is SO conducive
to recording and performance.
Russ has always come to the table in that respect, and as I tell my flute
students- 'when I have a HUGE window of sound in which to play in... it
gives me so much more to work with, considering it is an instrument often
thought of as (seemingly) having limitations.' We have found, that there
is no such thing when it comes to the Native American style flute!
Quyanaa (Aleut Thanks) Russ!! Keep up the good works- sharing your gift
of song with the world, and beyond !!!!!
This journey truly would not have been the same without you walking
beside me brother...
(Mare) Mary Youngblood 7/9/05
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